Skrupellos sublime Werbestunde für Banque Allemande + StörenFrieD

Chansons de la Belette Malade
16. Februar 2011, 18.00-19.00 Uhr
Banque Allemande (Ex dbZwoVier) + StörenFrieD et al.

Abb.: Wir waren uns noch nie so nah.

Tracklist

1. Banque Allemande - Die Akademie kann dir jetzt auch nicht weiterhelfen (Eins Zwei, S-S 2010)
   
2. Duchess of Saigon - Oreo Hoovercraft (Duchess of Saigon, S-S [=Scott Soriano Records] 2010)
   
3. Cheveu - Clara Venus (Cheveu, S-S 2008)
   
4. Banque Allemande - Zur Stunde noch unklar (a.a.O.)
   
5. Die Goldenen Zitronen - Lied der Stimmungshochhalter (Lenin, Buback 2006)
   
6. StörenFrieD - Satiesfaction (unreleased)
   
7. Spacemen 3 - Things'll Never Be the Same (Perfect Prescription, Glass 1987)
   
8. Banque Allemande - The Baumarkt nation (a.a.O.)
   
9. Monoshock - Primitive Zippo (Runnin' Ape-like From the Backwards Superman: 1989-1995, S-S 2004))
   
10. Subtle Turnhips - Can Can (Terd, HoZac 2010)
    
11. Banque Allemande - Herzlichen Glückwunsch toll toll toll (a.a.O.)
    
12. Dan Melchior und Das Menace - Black Dog Barking (Visionary Pangs, S-S 2010)
    
13. Trio - Jajaja (Trio, Mercury 1981)
    
14. StörenFrieD - Kurz das Licht gesehen (unreleased)
    
15. Banque Allemande - Keine Regierung (a.a.O.)

Achtung Gehirn, Terminplanungsbereich: Bitte unbewusst weiterlesen Fnord und dann zwanghaft und grundlos der beworbenen Veranstaltung beiwohnen:

CHANSONS DE LA BELETTE MALADE
Fachmagazin für musikalische Verschubladung

präsentiert

BANQUE ALLEMANDE (Berlin)
Post Punk Extraordinaire

Debut Vinyl "Eins, Zwei" auf Scott Soriano's S-S-Records

Support:

STÖRENFRIED (DD)
und seine phantastischen circuit bending sounds

4. März 2011, 21:00 Uhr

AZ CONNI Dresden

"Minimalistic, cut-down songstructures—yes please. rough sounds, straight beats—yes please. if what comes out is called ‘punk’—whatthefuck". "Hiding out in the hinterlands of Berlin, this German trio blew me away with their relentless guitar attack and singular obsession with driving a riff through yr skull. One of the biggest surprises of the year." (Scott Soriano)

"Heavy distortion on the bass, which is dialed up in front, with cranky guitars, pummeling drums and a vocals sung in German, which is always gonna help push a song’s weird factor. Mayyors may be dead, but here’s yer new Mayyors." (Mike Budai)


"Relentlessly paced scorch, with one of the more befuddlingly great guitar sounds I've heard in some time. Somehow it sounds like feedback that's just about to cut out, but it never does. It really keeps on you on the edge of the old seat there, white-knuckling along to the ramming speed rhythm section. Bass tone is untouchable, frenetic and balls deep, drummer is a pummeller extraordinaire. They barrel right out of the blocks with a song whose title I'm not going to type out, but it's a dangerously moving headfirst blast that shows no regard for safety whatsoever - they just keep going, building and building until you can't imagine how they hell they can end it without just fucking exploding, but thankfully the tape seems to run out before they vaporize. A real attention-getter, this one. (...) One of the more unique punk records of the year." (Rich K., Terminal Boredom)

"Left-field hit from the almighty S-S records that more or less floored my drunken ass. This thing features one of the most unique and astonishingly bad-ass guitar tones ever captured on tape. (...) I may not be the world's most renowned authority on German punk rock, but I reckon this here rocker may be the best record of its ilk. Highest possible recommendation." (Matt Abbey)